National broadcast Dec 28, 2012 at 9pmET, PBS American Masters
" —For anyone interested in contemporary dance and the vagaries of having an arts organization since the Seventies, Bob Hercules’ doc is a must see
" — Point of View Magazine TorontoWhether a dance fan or not, this film will definitely convince you to part with your hard earned money for a chance to watch the dancers in performance
" — CinemaEye TorontoNow available on iTunes and Amazon
" —Sheds perspective on today’s dance world through the lens of Joffrey’s pioneering vision. A film not to be missed
" — Seattle Dances“Joffrey: Mavericks of American Dance” is an exhilarating piece of dance history
" — Seattle TimesIt’s a story about American ballet, but also a story about daring people who gleefully threw themselves into the whirlwinds of controversy.
" — The Stranger (Seattle)Scintillating with edgy, raw, passionate energy…The film reveals a legacy of gutsy change and innovation.
" — NOVU Newsweekly IndianapolisA story that needs to be told
" — Slant MagazineAn important piece of not only the company’s history, but also of dance history…the heritage of dance deserves it.
" — New York TimesA bountiful feast for true dance lovers, as well as a thrillingly human story of artistic endeavor for everyone to savor.
" — David Noh,Film Journal InternationalA deeply archived and circumspect history of the Joffrey dance company…a perfect white swan …(with) marvelous footage of the early ballets
" — Village VoiceA long-overdue tribute to Robert Joffrey and his vibrant company, the Joffrey Ballet.
" — The New YorkerAll the angst and elation is brilliantly captured in the film through the people who were there at the time.
" — Berkshire on StageEntertaining and enlightening and sure to please lovers of dance
" — Detroit NewsBallet fans will want to get their hands on a copy of Joffrey: Mavericks of American Dance, a thrilling new documentary.
" — Huffington PostA compelling tale well told, blessed with emotionally generous characters and infused with joy, suspense, tragedy and redemption.
" — Speaking of DanceThe story of the Joffrey Ballet – a thrilling, touching and turbulent account – must be seen.
" — Stage and CinemaFor dance fans, this is a movie well-worth watching
" — Examiner.comA marvelous celebration of dance
" — GoPride.comHosannas and hallelujahs for the new documentary on the Joffrey Ballet.
" — Dance MagazineTonight is the Los Angeles premiere of the film and we are so excited to have 4 former Joffrey principal dancers to join us and talk about their experiences with the company. Representing the earliest time of the company is Françoise Martinet Moriarty, who joined just after the first US tour in 1956.
She originally shared a teacher with Robert Joffrey and Gerald Arpino. Mary Ann Wells had trained not only the two men, but also famed Ballet Russe de Monte Carlo dancer Marc Platt. ”Mrs. Wells, if she had a method, it’s what I ended up calling an American method, because it was not really Cecchetti, nor Bournonville, nor Vaganova. A typical American teacher looks at everything. She took modern dance with Martha Graham. We did all the warm up from Graham in our classes with her. She had a very strange approach on certain technical things, but obviously what she did is just inspire all her students. As a teacher, she was incredibly successful particularly with men. She had probably seven men in major companies and movies.”
“Before I had ever met Bob Joffrey, I kept hearing from Mrs. Wells about my darling boys, my darling boys. And who were my darling boys? They were Bob and Jerry Arpino. When I first met Bob, I think for me it was love at first sight almost. First of all, there was a trust that this was somebody in the dance, and I don’t know how I felt it. It must have been pure instinct. My little antennae were out because he hadn’t done that much by the time I’d met him, but my instinct told me that this was somebody that could really help me, guide me to where I wanted to go. There was something very seductive about Bob, I mean in the dance seductive. There was energy. There was humor. There was a twinkle in those soft brown eyes, but there was also a vulnerability about him and I think all the girls felt it. We were almost protective in some ways of Bob.”
“Jerry to me was, you know, the period in the movies with John Garfield? All those New York Italian men that were so charismatic and ready to go, that was Jerry. He was the fun, teasing energy. It was very hard to talk to him because he was always faster than you and always laughing and giggling and teasing. As a dancer, he had a beautiful body. He had beautiful what we call ballon, the rebounding and jumps, and beautiful landings like a tiger. In those days, Jerry was one of us. Bob was Bob. He was everything you want in a teacher, but he was also the director.”
“Two of the great loves of my life were Bob and Jerry, completely platonic, but they were two of the dearest. They’re still in my prayers every night. My teaching style is descendant of Bob’s — Ms. Wells, Bob Joffrey, and me.”
If you are in Los Angeles tonight, there are still a few tickets left to attend the screening and meet Mrs. Martinet Moriarty yourselves. She is featured prominently in the film. Tickets may be purchased HERE.
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